Thirty Days of Photographs: When I Was Young

My mother, Margaret, handed me this teddy bear and the chair it’s sitting in a long time ago. So long ago that I only have a hazy memory of the story of her memory of how they came to be mine.

The teddy bear was sent to me when I was still a baby, more than 51 years ago. It was a gift from my great-grandmother, Granny Bryant, who lived in London. My memories of Granny and those early years are so faint I can’t trust they’re real, but I’m sure I hugged the bear, drooled on it, threw it around and gurgled at it. Probably also chewed it and used it as a pillow, if I know me.

My bear doesn’t have a real name. I just call him Bear, and that’s good enough for the both of us. He’s lost a little hair and the diaphragm in his chest doesn’t squeak anymore, but like me he still has all of his limbs, as well as his eyes, nose and mouth.

Bear may be a teddy bear, but he’s tougher than he looks, and durable.

One of the things I like most about Bear is that he isn’t overly happy. If you look closely, you’ll see that Bear is frowning. He’s skeptical, examines the world around him critically, and is prone to ruminating about how often things go wrong, and about how people don’t care for one another enough. He’s frequently grumpy.

But Bear’s a softy, too. He’s a little pudgy on account of loving food and drink too much. His hair is untamed and his sweater—which was knitted by my mom—is a little lumpy because he’s not a slave to fashion, and besides, grooming is a bothersome waste of time when there are so many other fun things to do. His open-armed posture says, “Hug me. You know you need one, and so do I.”  His ears are perked up because he’s a good listener, and he leans forward in his chair because he doesn’t mind talking about himself, either. Bear enjoys people, as least the ones he calls friends. And he’s stayed around for so long because he doles out love sparingly, and is devoted to the ones he does love.

Oh, and he’s not wearing pants. I guess that proves that even though Bear’s a house bear, he’s still a little wild.

Bear likes his chair a lot. It’s wood, with a dark-brown finish that seems appropriately woodsy for a Bruin. The slatted, curved seat is well-worn, but the chair’s joints are as solid as the day it was purchased. It’s a rocker, and Bear often falls asleep in it while he’s reading ancient, epic poems about the creation of the world and its people. He dreams then, usually of sailing the seas in a battered Longship, hunting for adventure, beauty and, most of all, friendship and true love.

My mother gave me the chair when I was a little boy. I don’t remember sitting in it, and I can’t now because it’s too small or I’m too big, but I’ve kept it hanging on a post in the garage all these years because I can’t bear to part with it any more than I could bear to part with Bear.

If my memory is right, and it might not be, my mom bought the chair with S&H Green Stamps. Many merchants used to hand out S&H stamps every time you made a purchase at a department store, gas station or grocery store. People liked my mother saved them in books, which they could exchange at redemption centers for furniture, radios, even trips to places like Disneyland.

Mom bought me the chair when she probably could’ve bought herself something nice.

Mom’s like that, always thinking of others.

I keep Bear on a dresser in my bedroom. He’s been a good friend all these years, and I intend to see that he outlives me because I believe he might make a good companion for a grandchild someday. They could sit together in the rocker and talk, read books to one another and fall asleep in one another’s arms, as friends should do more often.

I think that would be wonderful.

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Thirty Days of Photographs: Different

We tend to look at plants and trees in the daytime.

But they’re still out there at night, they just look different: a little spooky, but pretty.

This is an ash tree in my backyard.

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Thirty Days of Photographs: Black

Black is my favorite color, although it isn’t really a color at all.

Objects that appear to be black absorb color without emitting or reflecting it. Things that emit or reflect the three primary colors—red, green and blue—in equal intensities appear to be white.

The scientific implications of that principle are obvious.

To someone.

I don’t have a clue what it means.

I just know that given a choice between going for a walk in the bright sunshine or on dark night, I’ll pick night almost every time. Bright light irritates me. The dark of night is calming.

Some people are creeped out by my preference for gloom, and often ask me if I sleep in a coffin. I don’t, although I would if it would help my back. I’m pretty sure the old spring mattress I use now is killing my upper back and neck. Caskets look incredibly comfortable with all that padded satin. Install a mini-fridge and a flat-screen television, and I might never leave except for potty breaks.

I guess people worry about me because they associate black with evil, uncertainty and secrecy. You can have a black heart, or get robbed by a black pirate carrying a blackjack. Witches and bad cowboys wear black hats, and Satan worshippers conduct black masses. When you turn 40, people give you black balloons and decorate your cake with black candles. And anytime a plane crashes, the first thing they look for is its black box, the nearly indestructible electronic gizmo that records the pilot’s screams of terror as the plane plunges nose-first into a corn field.

But I like to point out that not every culture sees black as a negative. The Japanese link black to honor, and white to death. The Maasai tribes of Kenya and Tanzania associate black with rain clouds, a symbol of life and prosperity. Emo high school kids wear black as a beacon to attract likeminded friends so they can sit around and grouse about their repressive parents and the sad inevitability of fate.

To me, black is beautiful.

And thinning, which is why I own three black shirts and not a single white one. I might be a little portly, and I’m afraid that if I wear white, Norwegian whalers will mistake me for the Great White Whale and turn me into oil for their lamps. By contrast, when I’m wearing black, I believe it’s easy for people to confuse me with the very fit and handsome actor Colin Farrell.

Or director Tim Burton.

Probably Burton. That dude is weird, and almost always wears black. We could probably be good friends, although I didn’t like The Nightmare Before Christmas very much, and didn’t even bother to see Sweeney Todd: The Demon Barber of Fleet Street.

I mean, really, a musical about a barber who murders his clients and turns them into meat pies?

A musical?

That’s just too black for me.

 

About this photo: I can’t take full credit for this picture. I shot it all right, but the idea for it came from my good friend and co-worker Linda Hawke, an artist and bon vivant who tells me she’s been a Muse all of her adult life. When I told her I was desperate for ideas to illustrate today’s black theme, we started talking about all the things black represents besides color, including evil. In a burst of creativity that made me jealous, Linda suddenly pointed at the gargoyles I keep on a shelf above my desk, and then at the red salt lamp on her desk, and a few minutes later we both knew that would be the picture I would use. Thanks, Linda, I owe you one.

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Thirty Days of Photographs: Tears

Okay, I confess.

I only used this photograph of an onion to illustrate tears because I couldn’t find a crying kid.

What’s up with that? I cried all the time when I was young. Are kids really that happy these days?

At one point, I got so desperate to find a teary tot,  I crafted a scheme to give ice cream cones to two of the three little kids who live next door. I figured the one who was left out would burst into tears, giving me the perfect portrait.

But Kerry said it would be cruel, and I relented even though I disagree with her. I mean, what good are kids if you can’t make fun of them or put them to work pulling weeds in your front yard?

Little shits.

Onions are good, though. I eat them all the time, and hardly ever cry while chopping them even though lots of other stuff makes me bawl—getting up to go to work, realizing that my fantasy trip to Europe was just a dream, and hearing Collide on the radio. You know what I mean about Collide, girls? Ya gotta agree that Howie Day nails the romance with lyrics like these:

The dawn is breaking
A light shining through
You’re barely waking
And I’m tangled up in you
Yeah

I’m open, you’re closed
Where I follow, you’ll go
I worry I won’t see your face
Light up again

Even the best fall down sometimes
Even the wrong words seem to rhyme
Out of the doubt that fills my mind
I somehow find
You and I collide

None of which has anything to do with onions, of course, unless you can’t sing all soft and sweet like Howie and need an onion to make you cry so you can impress a girl with your emotional depth. Girls love guys with feelings, especially if they make fabulous livings writing computer software and look like movie stars.

Now, in case you’re wondering how it is that onions make you cry, I did some exhaustive research to save you the trouble of looking it up. According to the first article I found online that wasn’t too long and boring, onions are part of the plant genus Allium, along with garlic, chives, leeks and about 400 other cousins, some of them probably the unfortunate products of inbreeding.

I have no idea what a genus is, probably ’cause I aren’t one.

But onions apparently absorb sulfur from dirt, which helps them form a class of volatile organic molecules called amino acid sulfoxides. It’s the sulfoxides that make you cry. Or, if you have emotional problems and are listening to Collide on the radio, cry more.

So thanks for joining Mr. Science today, kids! We’ll see you tomorrow for a brisk discussion and photographic tour of Black, nature’s darkest color.

In the meantime, go get yourselves a cheeseburger and some onion rings. Them puppies are dee-li-cious.

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Thirty Days of Photographs: A Moment

Moments come and go quickly, sometimes pleasantly, other times not so much.

When my daughter Lindy was about 10 years old, for instance, she loved the music of Judy Collins, especially her reedy rendition of Joni Mitchell’s über-sappy song, Both Sides Now. So one summer night, I bought tickets and took Lindy to see Collins in concert on the lawn at the Hudson Gardens in southwest Denver.

It’s a beautiful venue—outdoorsy yet civilized, expansive but intimate—and a perfect place to see a star like Collins, who has an incredibly weak voice but was legendary in bed and managed to carve out a successful and lucrative career butchering songs as diverse as The Eagles’ Desperado and Bob Dylan’s Masters of War. We were lucky to sit close enough to the stage to see Collins’ famous blue eyes, and Lindy was thrilled, singing along with her musical heroine and occasionally looking at me like I’d just booked her on a trip to Xanadu.

It was a grand moment, and as a father, I knew I’d done a good thing.

But the moment I’ll always remember from that night came when we got within a few feet of Collins during the intermission. I’d wisely brought a pen with me, and when Collins stepped off the stage to drink some water and pass some water, I boldly asked her to sign an autograph for Lindy, who was standing next to me almost breathlessly, unable to speak for herself because she was awestruck by the singer’s fame.

Lindy had a copy of the show’s program in her hand, and tentatively held it out to Collins.

I was certain Collins—a peace-loving child of the 60s—would seize the opportunity to lock in a life-long fan, especially one who didn’t deposit her dentures in a glass of cleaning fizz overnight like most of the septuagenarian admirers who’d turned out to see her that night. We were the only autograph seekers in a crowd of several hundred people— a proud father with bleeding ears and a young girl with decidedly questionable taste in pop music standing hopefully behind a thick yellow security rope with imploring eyes.

But I was wrong about Collins.

She stared at us haughtily for a moment, and then turned on her heel and walked away with her manager.

Bitch!

Lindy was deeply disappointed, of course. As for me, I was angry. So angry that I considered writing Collins a nasty note to let her know being forced to listen to her rendition of Someday Soon, a decent-enough song about a mildly rebellious girl who falls in love with a rodeo cowboy, had probably weakened an important artery inside my skull and would ultimately give me an aneurism and prematurely end my life.

I didn’t, because that moment also passed.

I’m still mad at Collins, though. I refuse to listen to her, and change the station anytime one of her songs comes on the oldies radio, which is usually only late on summer Sunday nights when the moon is full. Patients at nursing homes get antsy on nights like that, but the aides swear up and down that Collins’ version of Leonard Cohen’s Suzanne almost instantly puts the oldsters back into pleasantly manageable comas, and they call DJs en masse to request it.

Lindy’s appreciation of Collins’ music passed quickly after that night, and was long ago supplanted by her passion for the equally distasteful schmaltz of pop singers like Usher, R. Kelly and Beyoncé. I still love my daughter, but Lindy’s on her own when it comes to buying concert tickets for that crap.

Sometimes I get to feeling nostalgic, if by nostalgic you mean ornery, and find myself wondering what Collins is doing now. Maybe shopping for adult Depends at her local Wal-Mart and shouting, “I’m Judy Blue Eyes! I’m Judy Blue Eyes!” Not that the hard-bitten cashiers at Wal-Mart care that Collins had a steamy affair with Stephen Stills, or even know who Stills is.

Hell, they probably don’t even know what scary old people like Collins mean when they refer to “The Sixties,” that revolutionary period in America’s history when young people accomplished…well, to be honest, they accomplished almost nothing. Not unless you count popularizing tie-dye and the electric guitar, or staying alive long enough to bankrupt the country’s Social Security system.

Their moment has passed, too, and it’s time to step into the now.

 

Postscript: I took this photograph a week or two ago on a stormy night outside a restaurant. I don’t remember ever seeing cloud formation quite like it. It’s as dark and as turbulent as any clouds I’ve ever seen, with blue skies above it, the golden hues below it, and that bright light behind it shining through a hole. It lasted only a moment, and I was not only lucky enough to see it, but to get a picture of it.

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